Jhariah @ Roadrunner - Boston, MA
November 20th 2025: Jhariah @ Roadrunner - Boston, MA
Jhariah - Photos Courtesy of: Chinaza Ajuonuma
In Boston, Jhariah stormed the Roadrunner stage with a level of energy that could ignite an entire festival lineup. Even before fans had fully settled in, he had transformed the venue into a frenzy of movement, color, and rapid-fire emotion.
Launching headfirst into “BIGSHOT,” Jhariah immediately set the tone: sharp, theatrical, and relentless. His trademark performance style—darting across the stage, punctuating every lyric with big expressive gestures—had the crowd locked in within seconds. Even fans who entered the room unfamiliar with his music were quickly swept into the current.
The momentum only built from there. “DEBT COLLECTOR” and “FIRE4FUN” hit with controlled chaos, each song twisting between genres mid-stride. Jhariah’s voice moved from snarls to soaring belts to precise staccato phrases, keeping the audience guessing where the next beat drop or emotional spike would land.
By the time he reached “RISK, RISK, RISK!”, the room was fully in his hands. The track—a frantic whirlwind of tension and catharsis—exploded live, with Jhariah pacing the edge of the stage like a ringmaster conducting his own circus.
Mid-set, he shifted the emotional gears with “Needed a Change of Pace,” offering something warmer and more melodic without losing the intensity. His ability to make explosive theatricality and vulnerability coexist is part of what makes his live performance so magnetic.
Closing the set, “Flight of the Crows” and “PIN-EYE” showcased the full scope of his artistry. “Flight of the Crows” came with sweeping dramatic movements and a sense of rising tension, while “PIN-EYE,” introduced with its haunting vocal arrangement, felt ritualistic and climactic. The choir-like opening washed over the room before the full band crashed in, ending the set with a cinematic final punch.
By the end, the audience was shouting, dancing, and fully energized.
Mitski @ Kings Theatre - Brooklyn
February 27th, 2024: Mitski @ Kings Theatre - Brooklyn, NY
Mitski - Photos Courtesy of: Chinaza Ajuonuma
Mitski's performance at Kings Theatre on February 27th was a mesmerizing journey through her emotive catalog, leaving the audience spellbound with her raw talent and captivating stage presence. As she took the stage, Mitski delved deep into her music, delivering each song with a powerful intensity that held the crowd in rapt attention from start to finish. Her interpretive dancing added an extra layer of emotion, allowing her to convey the depth of her lyrics viscerally and poignantly.
From the haunting melodies of "Buffalo Replaced" to the pulsating energy of "Geyser," Mitski showcased the breadth of her musical prowess, effortlessly transitioning between moments of vulnerability and strength. The setlist was a carefully curated journey through her discography, with highlights including the achingly beautiful "First Love/Late Spring" and the anthemic "I Will Always Love You After You."
As the evening unfolded, Mitski's connection with the audience became palpable, with each song drawing the crowd deeper into her world. The encore, preceded by a three-minute ovation, was a fitting conclusion to the night, featuring soul-stirring renditions of "Nobody" and "Washing Machine Heart" that left the audience longing for more.
Overall, Mitski's performance at Kings Theatre was nothing short of extraordinary, showcasing her immense talent as both a musician and a performer. With her emotive vocals, evocative lyrics, and captivating stage presence, Mitski left an indelible impression on all who were fortunate enough to witness her live.
Daisy Grenade @ Irving Plaza - NYC
December 6th, 2023: Daisy Grenade @ Irving Plaza, New York, NY
Daisy Grenade - Photos Courtesy of: Chinaza Ajuonuma
Daisy Grenade, a dynamic bubblegrunge force hailing from the vibrant music scene of Brooklyn NY, brings a fresh and explosive energy to the stage. With the captivating vocals of Keaton Whittaker and Dani Nigro, the band marries raw emotion with catchy melodies, creating a sound that leaves a lasting impression. Daisy Grenade's performances are marked by infectious enthusiasm and a seamless blend of harmonies, showcasing their versatility in covers and unreleased gems. With a jumping, electric energy that electrifies audiences, Daisy Grenade is carving its path in the world of pop-punk.
Daisy Grenade brought an explosive burst of energy to Irving Plaza for the second night, delivering a performance that resonated with the crowd. The celebration kicked off with a special touch as the band, led by the dynamic duo of Dani Nigro and Keaton Whittaker, celebrated guitarist Erez Levin's birthday. The venue echoed with harmonies from both the band and the audience during the heartfelt rendition of the birthday song. The setlist featured a diverse range of hits, including a powerful cover of "King for a Day" by Pierce The Veil, during which Keaton Whittaker and the band sat on the edge of the stage, connecting intimately with the audience. Daisy Grenade also unveiled a new, unreleased gem titled "Skin," a testament to their evolving sound. Closing with the infectious anthem "Spring in the City," the band left the stage with the audience still buzzing from the jumping, electric energy that characterized their performance. Despite omitting "Got it Bad" from the setlist, Daisy Grenade's Night 2 showcased their ability to captivate and warm up the crowd, setting the stage for a memorable night with The Maine.
Thomas Headon @ The Ritz - Raleigh
September 28th, 2023: Half Alive, Thomas Headon @ The Ritz - Raleigh, NC
Thomas Headon - Photos Courtesy of: Chinaza Ajuonuma
Thomas Headon kicked off the show in Raleigh at The Ritz on September 28th with an explosive burst of energy that left the audience breathless. Jumping and dancing as he took the stage, he set the bar sky-high from the very start. But it wasn't just about the music; Thomas, in a playful mood, initiated a spontaneous "trivia time" during a short break. He handed out a crisp dollar bill to an unsuspecting fan who correctly guessed how many Bojangles locations could be found in the state of North Carolina, all while professing his newfound love for the southern fast-food chain.
With his drummer Josh hailing from North Carolina, the concert felt like a jubilant hometown reunion. Thomas didn't stop there; he brought the house down with two unexpected cover songs that had the crowd singing along. First, he transported us back to our Disney-channel-watching days with a soulful rendition of "The Best of Both Worlds" by Hannah Montana, and then he had us swaying to the infectious rhythm of Taylor Swift's "We Are Never Ever Getting Back Together." The night was a whirlwind of surprises, infectious energy, and unforgettable moments that left the audience buzzing with excitement long after the final notes had faded away.
Half Alive, the indie-rock band known for their unique visuals and energetic performances, did not disappoint. The set was an experience in itself, with a cool and ever-changing stage design that featured a giant sheet at the beginning, reminiscent of their recent music videos.
The sheet came down in the middle of "The Fall" to reveal leading man Josh Taylor dancing as his bandmates, drummer Brett Kramer and bassist J. Tyler Johnson kicked off the show. Josh Taylor's dancing was on full display throughout the night, lying on his back on the giant raised platform during "Yosemite," and launching into more interpretive dance during "I'll Stop" and "Conditions of a Punk," among others.
The show was broken up into "seasons," with mini set changes and a sheet with the name of each season projected on it. The dancers, as well as Taylor, were interpretive dancers, adding another layer of artistic expression to the show.
The show was not without its surprises, such as a corded phone that rang in the middle of the stage after "Call Back," which Taylor handed to an audience member dressed as Waldo to speak on, and the crew tearing down the black backdrop to reveal a white one for winter. There was also a beautiful use of autotune during "Hot Tea".
Taylor engaged with the crowd throughout the night, encouraging everyone to get low and jump up during "Back Around," and even launching into a Phil Collins cover of "Strangers Like Me." The band's hits were well-received, with the audience giving three-minute ovations after their medley, including hits like “ice cold”, “arrow”, and "Still Feel." The band ended the night by thanking the crowd for inviting them “into their living room” before playing their final two songs, "Conditions of a Punk" and "Creature." All in all, Half Alive delivered an unforgettable and visually stunning performance.
