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Motionless in White @ The Zoo Amphitheatre - Oklahoma City, OK

August 11th 2026: Motionless in White, Lorna Shore, Fit For a King @ The Zoo Amphitheare - Oklahoma City, OK

Motionless in White | Photos Courtesy of: Ally Arens


Heavy music veterans Motionless in White are in the midst of the first leg of their Sweat and Blood tour across North America, bringing their theatricality and energy to stages across the country alongside fellow heavyweights Lorna Shore, Fit For a King, and Static Dress. When the tour came through Oklahoma City’s Zoo Amphitheatre for Motionless’ largest headliner in the city yet, they emphasized the “sweat” of “sweat and blood” by playing on an outdoor stage in the midst of a several-day 100+ degree day heatwave, but that didn’t stop fans from showing up in droves and making the show memorable for all in attendance. 

First to take the stage, a half-hour earlier than originally scheduled, was Static Dress. Hailing from the UK, the band, fronted by vocalist Olli Appleyard, got the crowd amped up with tracks such as “Nostalgia Kills,” “...hospice,” and “human props.” Though I was not super familiar with them before the show, I thought they set the tone for the evening very nicely and look forward to seeing what’s next.

Next up was Fit For a King, who absolutely scorched the already scorching stages as they launched their set with “Backbreaker” and recent single “Blood Pact,” followed by the melodic, anthemic “Begin the Sacrifice.” Between vocalist Ryan Kirby’s powerful vocals and bassist Tuck O’Leary’s constant jumping and guitar-spinning, their performance was extremely captivating. Having seen FFAK once before with Motionless on the Dark Horizon tour back in 2023, I can confidently say that both bands were outstanding then and have only gotten better since.

The final support act was probably one of the buzziest heavy bands of late, Lorna Shore, fronted by the enigmatic Will Ramos. The crowd got hyped as soon as the first riffs of “To The Hellfire” rang through the amphitheatre, and did not let up for the entirety of their 45-minute set. Though Ramos’ intense growls are not for the faint of heart, they certainly captured the crowd’s attention, and I can understand why fans of more hardcore music have been gravitating towards them, even if it’s not necessarily what I would personally go out of my way to reach for.

At long last, just before 9 p.m., the sun had finally set, offering some temperature relief - though this would not last far into Motionless’s set, as their ample pyrotechnics heated things back up. Launching with “Sign of Life” from 2024’s Scoring the End of the World, Chris Motionless and co. brought their unmistakable energy that fans old and new have come to love over the band’s 20-year career, and did not slow down once. Going into the evening, I would be lying if I hadn’t been concerned about the concert possibly having to be postponed after hearing of a shortened setlist due to Chris feeling ill at their Utah show on August 7. If I hadn’t seen chatter of that beforehand, though, I wouldn’t have known anything different, as the entire band sounded nothing short of phenomenal.

As the band recently dropped their latest album Decades, and have been reflecting on their beginnings to now, their whopping 19-track setlist was an amazing mixture of old & new, going all the way back to “Abigail” from their debut full-length to newest singles “Afraid of the Dark,” “Playing God,” and “R.I.P,” along with their devilishly fun cover of “Sunglasses at Night.” As someone who has now seen Motionless in White live four times, I can say with confidence that there is no one out there putting on a show quite like them. From vocals that can go from vicious to soothingly melodic in a second, ripping guitars and drums, along with stunning choreography from the Cherry Bombs, the current MIW stage show is a truly unique and wonderful sight to behold. 

Though leg one of the Sweat and Blood tour has concluded, leg two picks up just before Halloween in Worcester, MA. All upcoming shows can be found on Motionless’ website, and check out Decades wherever you get your music. 

Lorna Shore

Fit For a King

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Jinjer @ Diamond Ballroom - Oklahoma City, OK

June 28th 2026: Jinjer, Crystal Lake, Entheos @ Diamond Ballroom - Oklahoma City, OK

Jinjer - Photos Courtesy of: Ally Arens


Ukrainian metal act Jinjer is currently in the midst of their Duel tour across North America, in support of their 2025 album of the same name, bringing their punchy riffs and stunningly brutal vocals to audiences across the country. Joined by Entheos and Crystal Lake, the three bands together have put together a show that is not to be missed by any self-respecting metal fan, with many a mosh pit and crowd surfer to be seen. 

First to take the stage was Entheos, hailing from Santa Cruz, California. Though I was not super familiar with their discography before the evening, it was difficult not to become entranced by the deep growls emitted from vocalist Chaney Crabb as the quartet performed tracks such as “Hell is a Part of Me” and “Empty on the Inside.” The band also teased the release of their next album on October 23 of this year, so fans can excitedly be on the lookout for that in a few months. 

Next up was Japanese metalcore act Crystal Lake, who were in a bit of a unique position as their most recent vocalist, John Centorrino, departed from the band in March, not too long after this tour was announced. In his place for much of the current run of shows was Myke Terry, known for his work with Fire From the Gods and Volumes, and I must say that Myke absolutely crushed it. His screams blended wonderfully with the rest of the band, and together they had the crowd amped up.

Finally, just after 9 p.m., Jinjer took the stage, and all in attendance were instantly enthralled as the band emerged, led by vocalist Tatiana Shmayluk. Leading their set with the tour’s title track, followed by “Green Serpent” and “Fast Draw,” Shmayluk’s live vocals are an enigma to behold as she switches seemingly effortlessly between gorgeous belts and devious growls. Meanwhile, a sea of crowd-surfers began to approach the stage before the first three songs had ended, and did not cease for the rest of the evening. Though the setlist understandably leaned heavily on tracks from their latest release, fans of earlier albums were not left out with the inclusion of tracks such as “Perennial” and “Pisces,” and a wonderful night of metal greatness was had by all.

Jinjer’s Duel tour continues through July, concluding with an appearance at Vans Warped Tour in Long Beach, CA on July 25, before the band makes their way through the UK and Europe later this fall. All upcoming shows can be found on their website.

Crystal Lake

Entheos

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The Hu @ Diamond Ballroom - Oklahoma City, OK

May 27th 2026: The Hu, Apocalyptica, The Rasmus @ Diamond Ballroom- Oklahoma City, OK

The Hu - Photos Courtesy of: Ally Arens


Of the hundreds of artists that I have had the pleasure of seeing live over the course of my lifetime, few have been quite as uniquely captivating as The Hu. Hailing from Mongolia, the band blends techniques and sounds of traditional Mongolian folk music with modern heavy metal instrumentation to form their own unique genre of music that they have dubbed “Hunnu Rock,” which is truly unlike anything I’ve ever heard before and is best experienced in a live setting without a doubt. As The Hu prepares to release their next album HUN in July, they have embarked on a brief tour of the United States accompanied by Finnish rock artists Apocalyptica and The Rasmus for a string of shows full of amazing music.

Starting off the night was The Rasmus, performing in Oklahoma for the very first time in their 30+ year career and kicking things off with a phenomenally fun amount of energy. Performing songs such as “Break These Chains” and the catchy, anthemic “Creatures of Chaos” from their latest album Weirdo, as well as throwbacks like “Guilty” and “Living in a World Without You,” they absolutely blew me away with their stage presence, and I sincerely hope that it is not another 30 years before they return.

Next up was Apocalyptica, who are veterans of the orchestral rock scene known for their original compositions such as the mid-2000s smash hits “I Don’t Care” featuring Adam Gontier and “I’m Not Jesus” featuring Corey Taylor as well as their reimaginings of several Metallica tracks. Their setlist leaned very heavily on these Metallica tributes, and though I would have loved to see at least one or two of their original tracks sprinkled in, their set was still breathtakingly amazing. The pure spectacle of seeing and hearing the famous solos of tracks such as “Enter Sandman” and “Master of Puppets” played on cellos instead of traditional guitars is absolutely incredible. Coming from someone who is not a huge Metallica fan, though I acknowledge and appreciate their role in the rock music scene at large, I must say that I prefer Apocalyptica’s show-stopping arrangements. 

Finally, just after 9 p.m., The Hu emerged and immediately captured all eyes and ears in the Diamond Ballroom as they launched into their newest single “Lost Soul.” Though there was less “singing along” in the traditional sense than I am accustomed to, the crowd was fist-pumping and head-banging along the entire night, especially during tracks such as “Warrior Chant” and other recent single “The Man.” Their music may not be everyone’s cup of tea, but their live show is entrancing nonetheless, and is a must-see for any fan of heavy music, especially anyone looking for something truly unique in the scene.

Apocalyptica

The Rasmus

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